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Artist: Dominique Barrière (French, 1618-1678)
Medium: pen and brown ink, brown wash, over black chalk, traced with stylus for transfer
Dimensions: 13 5/8 in. x 9 1/4 in. (34.61 cm. x 23.5 cm.)
Credit Line: Bequest of the Honorable James ºÚÁϳԹÏÍø±¬ÍøÕ¾ III
Accession Number: 1811.136
- "VILLA / ALDOBRAN / DINA / TVSCVLANA / sine varij / . . . "
Type: inscription
Location: on tablet in composition
Materials: graphite - "The Villa Aldobrandina, belonging to the Pamfili family, is near the church of St. Dominico on Monte Quirnale"
Type: inscription
Location: mount
Materials: graphite
- James ºÚÁϳԹÏÍø±¬ÍøÕ¾ III( Collector, Boston) - 1811.
- ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art( Museum, Brunswick, Maine) 1811- . Bequest
- Images of Women in 17th Century Prints and Drawings
- ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art. ( 10/3/1989 - 11/5/1989)
- Old Master Drawings at ºÚÁϳԹÏÍø±¬ÍøÕ¾ College
- ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art. ( 5/17/1985 - 7/7/1985)
- Clark Art Institute. ( 9/14/1985 - 10/27/1985)
- University of Kansas. ( 1/19/1986 - 3/2/1986)
- Art Gallery of Ontario. ( 5/17/1986 - 6/29/1986)
- From Fontainebleau to the Louvre: French Drawing from the Seventeenth Century
- Cleveland Museum of Art. ( 12/13/1989 - 1/28/1990)
- Harvard University Art Museums. ( 2/24/1990 - 4/8/1990)
- National Gallery of Canada. ( 5/6/1990 - 6/17/1990)
- Drawing on Basics
- ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art. ( 10/14/1993 - 12/19/1993)
- Prints/Drawings & Drawings/Prints, 1500-1800
- ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art. ( 8/4/2009 - 9/20/2009)
Type: catalogue Author: Henry Johnson Document Title: Catalogue of the ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Art Collections Publ. Place: Brunswick, Maine Reference: no. 96 Remarks: (as Unknown) Section Title: Pt. I, The ºÚÁϳԹÏÍø±¬ÍøÕ¾ Drawings Date: 1885 Type: catalogue Author: ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art Document Title: ºÚÁϳԹÏÍø±¬ÍøÕ¾ Museum of Fine Arts, Walker Art Building Edition: 4th Publ. Place: Brunswick, Maine Reference: no. 96 Remarks: (as Unknown) Publisher: ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Section Title: Descriptive Catalogue of the . . . Date: 1930 Type: exhibition catalogue Author: David P. Becker Document Title: Old Master Drawings at ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Publ. Place: Brunswick, Maine Location: pp. 186-187 Reference: no. 87 (illus.) Publisher: ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Date: 1985 Type: exhibition catalogue Author: Hilliard T. Goldfarb Document Title: From Fontainebleau to the Louvre Publ. Place: Cleveland Location: p. 89 Reference: no. 42 Publisher: Cleveland Museum of Art Section Title: French Drawing from the Seventeenth Century Date: 1989
This drawing was designed as the title page to a set of views of the Villa Aldobrandini (fig. 1) at Frascati, in the Roman Campagna, or countryside, southeast of the city. The estate had passed to the Pamphili family through marriage in 1647, and the set of views was likely commissioned to celebrate the new ownership. The book is etched, with engraved additions, and consists of a title page, a dedication, a preface, eight plates of views of the villa and its famous gardens, ten plates reproducing the celebrated fresco cycle by Domenichino (1581–1641) in the villa, and a final plan of the villa and its surroundings (Robert-Dumesnil, 70–76). The book is dedicated to the young King Louis XIV of France (then nine years old), whose engraved portrait appears on the printed title within a laurel wreath, which is blank in the drawing. The printed title is in reverse of the finished preparatory drawing, indicating that Dominique Barrière used the ºÚÁϳԹÏÍø±¬ÍøÕ¾ sheet as the final model. He signed the plate as designer, draftsman, and etcher.
In this design, an allegorical figure of Painting, with materials at her feet, sits in a section of the villa’s garden surrounded by classical sculpture and three fountains. The arrangement roughly corresponds to the large nymphaeum, or artificial grotto and fountains, within the villa’s garden. The title of the volume is engraved on the tablet held by Painting. The major changes from drawing to print are the addition of classical figures on the large vase at the left and a scene of Hercules in combat with an animal in the tablet under Painting's outstretched arm. For the final print Barrière also removed the swan wooing Leda in the sculpture in the far garden wall.
David P. Becker (edited by Sarah Cantor)
References:
Robert-Dumesnil, A. P. F. Le peintre-graveur français, ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'école française. Vol. 3. Paris: Gabriel Warée, 1838.
Images:
Fig. 1: Domenic Barrière Title Page of Views of the Villa Aldobrandini, 1647, etching
Commentary credited to David P. Becker (or not otherwise captioned) appeared in his catalogue Old Master Drawings at ºÚÁϳԹÏÍø±¬ÍøÕ¾ College (Brunswick: ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art, 1985).