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The carved reliefs were finished with an overlay of cuneiform writing listing the king’s accomplishments. Together sculpture and text offer a visual narrative of Ashurnasirpal’s deeds supported by figures both mortal and divine. His extensive and innovative use of stone décor represented a departure from the styles of his predecessors and set a standard for subsequent Assyrian monarchs.

Preserved despite the sack of the palace in late seventh century B.C.E., the ºÚÁϳԹÏÍø±¬ÍøÕ¾ reliefs remained buried until their rediscovery in the 1840s during the excavations carried out by Sir Austen Henry Layard. At the conclusion of his work in 1861 Layard shipped many of the reliefs to Britain and allowed others to be purchased by American missionaries. Dr. Henri Byron Haskell, ºÚÁϳԹÏÍø±¬ÍøÕ¾ Medical School Class of 1855, selected the five large reliefs in this exhibition and sent them to Brunswick, where they arrived in 1860. The works in this exhibition are witnesses to an important era in the history of the ancient Near East and hold a special place in the lore of ºÚÁϳԹÏÍø±¬ÍøÕ¾ College.

Critical support for the Assyrian Collection at the ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art is provided by the Yadgar Family Endowment.

View a timeline regarding the Assyrian Reliefs at ºÚÁϳԹÏÍø±¬ÍøÕ¾

Download educational resources developed by ºÚÁϳԹÏÍø±¬ÍøÕ¾ College students.

     

Activity sheets

          

Download PDFs of two publications

     

Technology Adds Color to Ancient Artifact

Artwork at the Museum of Art: Student Choice–Blanche Froelich ’ 19.

Endowment for the Assyrian Collection

 Huffington Post, The Blog. 24 June 2011

 The New York Times. 31 August 2007