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Book

(Minneapolis: University of Minnesota Press, 2021). 

Podcast interview with the New Books Network available

Peer-Reviewed Articles

"." 21: Inquiries into Art, History, and the Visual 5, no. 1 (2024).

” positions: asia critique 28, no. 1 (February 2020): 121–144.

 Journal of Art Historiography 10 (June 2014): 1–17.

” Art Journal (Spring 2013): 6–19.

Selected Articles and Essays

“Liang Yuanwei, umustbestrong.” Chinese Art since 1970: M+ Sigg Collection Catalogue (Hong Kong: M+ Museum, 2022). Invited contribution.

“Temporal Disjuncture and Global Space in Qiu Anxiong’s New Book of Mountains and Seas,” MAM Documents (Tokyo: Mori Art Museum, 2015), 162–172 (in Japanese). 

“New Audiences, New Energy: Producing and Exhibiting Contemporary Chinese Art in 1993,” Post: Notes on Modern and Contemporary Art around the Globe, post.at.moma.org (MOMA, August 2015). Invited contribution. 

“China’s Emerging Art Market: Debates on art, criticism, and commodity in the early 1990s.” Negotiating Difference: Contemporary Chinese Art in the Global Context, ed. Juliane Noth et al (VDG Weimar, 2012), 189–198.

“Dis/Placement: Yin Xiuzhen’s City Installations.” Yishu 4, no.1 (April 2005): 87–101.

Assisted Publications

Wu Hung, ed. . With the assistance of Peggy Wang. New York: Museum of Modern Art, 2010 [Review: ]

Wu Hung. Shu: Reinventing Books in Contemporary Chinese Art. With the assistance of Peggy Wang. New York: China Institute Gallery, 2006.

Reviews

Review of Sasha Su-Ling Welland, Experimental Beijing: Gender and Globalization in Chinese Contemporary Art (Durham, N.C.: Duke University Press, 2018), Art Bulletin 102, no. 4 (December 2020): 160–163.

“.” Critique d’Art: The International Review of Contemporary Art Criticism 44 (July 2015): 28–42.

 (New York: Seagull Books, 2013), TDR/The Drama Review 59, no. 2 (Summer 2015): 173–175.

Review of Julia F. Andrews and Kuiyi Shen, The Art of Modern China (Berkeley: University of California Press, 2012), Journal of Asian Studies 72, no. 3 (August 2013): 682–684.

Review of Hsingyuan Tsao and Roger T. Ames (eds.), Xu Bing and Contemporary Chinese Art (Albany: SUNY Press, 2011), Philosophy East and West 63: 3 (July 2013): 446–448.

Interviews

“Thread and Bone: An Interview with Lin Tianmiao.” Yishu 11, no. 2 (March/April 2012): 6–19.

“Subversion, Culture Shock, and ‘Women’s Art: An Interview with Lin Tianmiao” n. paradoxa 29 (January 2012): 22–31.

Exhibitions Curated at the ºÚÁϳԹÏÍø±¬ÍøÕ¾ College Museum of Art

Breakthrough: Work by Contemporary Chinese Women Artists, Fall 2013 (co-curated)

"Pop and the People," Goldberg Lecture in Art History, Vanderbilt University, February 29, 2024. Invited.

"Animating Time to Disrupt History," College Art Association, February 16, 2024. 

"Rethinking 'Tradition' and 'Technology' in Qiu Anxiong's New Book of Mountains and Seas," Towards a Multi-Temporal Pluriverse of Art: Decolonizing Universalized Historiographic and Temporal Frameworks, Carleton University, March 12, 2022.

"," Exhibiting East Asian Art in the West, University of Chicago, June 5, 2021. Invited.

Visual Arts Administration Colloquium, NYU Steinhardt School of Culture, Education, and Human Development, April 30, 2021. Invited.

"," East Asia by the Book! CEAS Author Talks, Center for East Asian Studies, The University of Chicago, April 22, 2021. Invited.

"'Women's Art' and Lin Tianmiao's Threads of Resistance," University of South Carolina, April 7, 2021. Invited.

"," China Institute, New York, February 4, 2021. Invited. 

“Actors in the World: Microhistories of Contemporary Chinese Art,” Symposium on Writing and Picturing II, University of Chicago, May 18, 2019. Invited.

“The Art of Contemporary Chinese Art," Asia Art Archive in America, New York, April 12, 2019. Invited.

“Walking a Thin Line?: The Chinese State and Contemporary Art,” Stonybrook University, New York, April 11, 2019. Invited.

“Beijing’s New Realism in the Early 1990s,” Association of Asian Studies Annual Meeting, Denver, Colorado, March 24, 2019.

“Reconsidering the Strawmen of Contemporary Chinese Art,” Conference on Calligraphy and Painting Studies in Postwar America, University of Maryland, College Park, May 4, 2018. Invited.

“Social Functions: Contemporary Art Groups in China,” College Art Association Annual Meeting, Los Angeles, California, February 23, 2018.

“Interpreting Art as Art about Art,” Asia Art Archive, Hong Kong, May 6, 2017. Invited.

“Contemporary Chinese Art History in a Global Age,” Symposium on Art and China after 1989: New Perspectives, organized by the Solomon R. Guggenheim Museum and NYU Department of Media, Culture, and Communication, New York, September 30, 2016. Invited.

“Ideals in the Art Academy?” Conference on Cultural Policy and the Arts in Contemporary China, University of Chicago Cultural Policy Center, Beijing, China, October 27, 2015. Invited.

 “Tensile Strength: Threads of Resistance in Lin Tianmiao’s Women’s Art,” American University, Washington D.C., April 6, 2015. Invited. 

“Temporal Perception and Historical References in Contemporary Chinese Art,” Symposium on (In)Direct Speech. “Chineseness” in Contemporary Art Discourse and Practice, Art Market, Curatorial Practices and Creative Processes, organized by Heidelberg University and University of Lisbon, Portugal, March 17, 2015. Invited.

“Animating Time,” Visual and Material Perspectives on East Asia workshop, University of Chicago, January 9, 2015. Invited.

“Temporal Disjuncture and Global Space in Qiu Anxiong’s New Book of Mountains and Seas,” Symposium on Trauma and Utopia: Interactions in Post-War and Contemporary Art in Asia, jointly organized by Mori Art Museum and Tate Research Centre: Asia-Pacific, Tokyo, Japan, October 9–10, 2014. 

Moderator, “Concept and Performance,” Symposium on Ink Art: Dialogues with Artists, Metropolitan Museum of Art, New York, February 20, 2014. Invited.

“Material Witnesses: Medium and media in contemporary Chinese Art,” College Art Association Annual Meeting, Chicago, Illinois, February 15, 2014.

“Made in China: Symbols and slogans of place in 1990s contemporary Chinese art,” Association of Asian Studies Annual Meeting, San Diego, California, March 23, 2013. 

“Politics of Intervention: Tracing the intersections of contemporary art and media in China,” Michigan State University, November 29, 2012. Invited.

 “Artifice of Art: Advertisements in contemporary Chinese art,” The Ohio State University, May 25, 2012. Invited.

“Black and White and Red All Over: Spaces of urban intervention in Beijing Youth Daily’s 1994 Art Interior Design series,” College Art Association Annual Meeting, Los Angeles, California, February 22, 2012. 

“Approaching Contemporary Chinese Art,” Scholars’ Day Forum, Museum of Modern Art, New York, October 15, 2010. Invited.

“Critical Discourses: Debating the value of contemporary Chinese art in the 1990s,” Conference on Negotiating Difference: Contemporary Chinese Art in a Global Context, House of World Cultures, Berlin, Germany, October 24, 2009. 

“The Ties that Bind: Contemporary Chinese artists in the 1990s global art system,” Association of Asian Studies Annual Meeting, Chicago, Illinois, March 28, 2009.     

“Constructing Market and History: The 1992 Guangzhou Biennial and the Second Documents Exhibition,” College Art Association Annual Meeting, Los Angeles, California, February 27, 2009.

Sydney B. Karofsky Prize for Junior Faculty (2018)

Robert H.N. Ho Family Foundation Researcher-in-Residence, Asia Art Archive, Hong Kong (2017)

U.S. Fulbright Research Scholar in China, U.S. Department of Education (2017)

ºÚÁϳԹÏÍø±¬ÍøÕ¾ Faculty Research Award (2017)

Franke Institute for the Humanities Doctoral Fellowship (2009–2010)

Center for East Asian Studies Dissertation Write-up Grant, University of Chicago (2008–2009)

Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship, U.S. Department of Education (2006–2007)

Jacob K. Javits Fellowship, U.S. Department of Education (2003–2006, winter–summer 2008)

Wellesley-Yenching Graduate Fellowship at the National Palace Museum in Taipei (2001–2002)