American Imperialism in Children’s Material Culture, 1900-1929
Over the first half of the twentieth century, a genre of children’s books describing foreign lands and the people who live in them flourished in American children’s libraries. Examples of foreign lands in these books include Japan, India, Lapland (a region in northern Finland), Africa (indeed, the entire continent), and Hawaii (a US territory at the time). Evidently, identifications of “foreign lands” were often colored by American interests, ignorances, and, as I will explore in my honors project, imperialism.
I ask these questions: how is childhood constructed through children’s material culture? How is childhood constructed through the image of childhood and children? Moreover, how have these inventions been used, and to what ends? In my research, I will focus on children’s books and playthings of the early twentieth century, and examine the ways they reflect, project, and reconstruct ideas about American imperialism. My focus is on material characterizing what is now known as Alaska and the contiguous United States, but I also examine media about other parts (and people) of the world as crucial sources of context.
The Nyhus Travel Grant enabled me to spend almost two months trawling the collections of Columbia University, Harvard University, the Cotsen Children's Library in Princeton University, and the many research divisions of the New York Public Library—including the Manuscripts and Archives, Lionel Pincus and Princess Firyal Maps, Carl H. Pforzheimer, and Rare Books divisions. Before landing on my specific topic, I was able to explore an incredible variety of children’s books, textbooks, teacher’s manuals, maps, board games, children’s toys, journals, and more.
Through my readings and primary source research, it became apparent that children’s material culture is often dismissed as frivolous and innocuous and is generally overlooked as a valuable source of knowledge about history. This neglect not only erases an entire category of production from the historical record, but also has significant implications for the course of history itself. Creators of children’s media weaponized these perceptions—of children’s culture as inherently harmless and insignificant—in their imperialist projections, intentionally or not. Even with its clear suggestions about American relationships with and perceptions of Native Americans in the 1920s, children’s playthings such as “Milton Bradley’s Indian Village Cut-Outs” are more easily found on eBay than in the archive. Indeed, much of children’s material culture remains absent from secondary source literature and digitized collections. With the Nyhus Grant, I had the chance to work with such neglected historical material in person, and uncover pieces of history that would otherwise return zero results in a Google Scholar search. I am deeply grateful to the History Department for this opportunity.